Information about Epitheton
An epithet (Greek — επιθετον and Latin — epitheton; literally meaning 'imposed') is a descriptive word or phrase that has become a fixed formula. It has various shades of meaning when applied to real or fictitious people, divinities, objects and biological nomenclature.
Some epithets are known by the Latin term epitheton necessarium because they are required to distinguish the bearers, e.g. as an alternative to ordinals after a prince's name — say Richard the Lionheart, or Charles the Fat alongside Charles the Bald. Still the same epithet can be used repeatedly, in different spheres of life and/or joined to different names, say Alexander the Great as well as Catherine the Great.
Other epithets can easily be omitted without serious risk of confusion, and are therefore known (again in Latin) as epitheton ornans; thus the classical Roman author Virgil systematically called the armsbearer of Aeneas, his main hero, fidus Achates, the epithet being fidus, which means faithful or loyal.
In contemporary usage, epithet is also used to refer to an abusive or defamatory phrase, such as a racial epithet.
There are also specific types of epithets, such as the kenning which appears in works such as Beowulf. An example of a kenning would be the term whale-road, meaning "sea".
Alternatively the epithet may identify a particular and localized aspect of the god, sometimes already ancient during the classical epochs of Greece or Rome, such as a reference to the mythological place of birth or numinous presence at a specific santuary: sacrifice might be offered on one and the same occasion to Pythian Apollo (Apollo Pythios) and Delphic Apollo (Apollo Delios). A localizing epithet refers simply to a particular center of veneration and the cultic tradition there, as the god manifested at a particular festival, for example: Zeus Olympios, Zeus as present at Olympia, or Apollo Karneios, Apollo at the Spartan Carneian festival.
Often the epithet is the result of fusion of the Olympian divinity with an older one: Poseidon Erechtheus, Artemis Orthia, reflect intercultural equations of a divinity with an older one, that is generally considered its pendant; thus most Roman gods and goddesses, especially the Twelve Olympians, had traditional counterparts in Greek, Etruscan and most other Mediterranean pantheons, e.g. Jupiter as head of the Olympian Gods with Zeus, but in specific cult places there may even be a different equation, based on one specific aspect of the divinity. Thus the Greek word Trismegistos "thrice grand" was first used as a Greek name for the Egyptian god of science and invention, Thot, and later as an epitheton for the Greek Hermes and finally the fully equated Roman Mercurius (Mercury; both were also messenger of the gods). Among the Greeks, T. H. Price notes[4]the nurturing power of Kourotrophos might be invoked in sacrifices and recorded in inscription, without specifically identifying Hera or Demeter.
Some epithets were applied to several deities of a same pantheon, rather accidentally if they had a common characteristic, or deliberately emphasizing their blood- or other ties; thus in pagan Rome, several divinities (including demi-gods, heroes) were given the epitheton Comes as companion of another (usually major) divinity. An epithet can even be meant for collective use, e.g. in Latin pilleati 'the felt hat-wearers' for the brothers Castor and Pollux. Some epithets resist explanation.[5]
Similar practices still exist in Catholic and Orthodox Christianity in the veneration of Christ and, mainly, of the saints. "Our Lady of Lourdes" is essentially periphrasis, unless some aspect of the Virgin were being invoked.
Indeed while these differ from official titles as they don't express any legal status, epitheta have been awarded and adopted (though the official procedure may provide for the formal decision to be issued by another institution, such as a legislative assembly) by statesmen in power for fairly formal use, not unsimilar in purpose to various sinecures, knighthoods or peerage-type titles in post-feudal societies: they confer prestige without any legal authority, so essentially a matter of image or even propaganda, aimed at a domestic and/or foreign target audience. Examples of such epithets are the various traditions of victory titles (see there) awarded to meritous generals and rulers since Antiquity, and the epithets awarded to entire units, e.g. such adjectives as 'Fidelis' 'loyal' to various Roman legions.
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Linguistics
In linguistics an epithet is often metaphoric, essentially a reduced or condensed appositive. Epithets are sometimes attached to a person's name or appear in place of their name, as what might be described as a glorified nickname. An epithet is linked to its noun by long-established usage and some are not otherwise employed. Not every adjective is an epithet, even worn clichés: an epithet is especially recognizable when its function is largely decorative, as when "cloud-gathering Zeus" is otherwise employed than in conjuring up a storm. "The epithets are decorative insofar as they are neither essential to the immediate context nor modelled especially for it. Among other things, they are extremely helpful to fill out a half-verse", Walter Burkert has noted.[1]Some epithets are known by the Latin term epitheton necessarium because they are required to distinguish the bearers, e.g. as an alternative to ordinals after a prince's name — say Richard the Lionheart, or Charles the Fat alongside Charles the Bald. Still the same epithet can be used repeatedly, in different spheres of life and/or joined to different names, say Alexander the Great as well as Catherine the Great.
Other epithets can easily be omitted without serious risk of confusion, and are therefore known (again in Latin) as epitheton ornans; thus the classical Roman author Virgil systematically called the armsbearer of Aeneas, his main hero, fidus Achates, the epithet being fidus, which means faithful or loyal.
In contemporary usage, epithet is also used to refer to an abusive or defamatory phrase, such as a racial epithet.
There are also specific types of epithets, such as the kenning which appears in works such as Beowulf. An example of a kenning would be the term whale-road, meaning "sea".
Literature
Epithets are characteristic of the style of ancient epic poetry, notably in that of Homer or the northern European sagas. See above, as well as epithets in Homer. When James Joyce uses the phrase "the snot-green sea" he is playing on Homer's familiar epithet "the wine-dark sea". Also the phrase "Descreet Telemachus" is considered an epithet.- the Greek term Antonomasia, in rhetoric, means substituting any epithet or phrase for a proper name, as Pelides, or the son of Peleus, for Achilles; the opposite substitution of a proper name for some generic term is also sometimes called antonomasia, as Cicero for an orator.
Religion
In many polytheistic religions, such as in ancient Greek and Roman religions, a deity's epithets, easily multiplied in the practice of cultus generally reflected a particular aspect of that god's essence and role, for which their influence may be obtained for a specific occasion: Apollo Musagetes is "Apollo, [as] leader of the Muses" and therefore patron of the arts and sciences[2] while Phoibos Apollo is the same deity, but as shining sun-god. "Athena protects the city as polias, oversees handicrafts as ergane, joins battle as promachos and grants victory as nike."[3]Alternatively the epithet may identify a particular and localized aspect of the god, sometimes already ancient during the classical epochs of Greece or Rome, such as a reference to the mythological place of birth or numinous presence at a specific santuary: sacrifice might be offered on one and the same occasion to Pythian Apollo (Apollo Pythios) and Delphic Apollo (Apollo Delios). A localizing epithet refers simply to a particular center of veneration and the cultic tradition there, as the god manifested at a particular festival, for example: Zeus Olympios, Zeus as present at Olympia, or Apollo Karneios, Apollo at the Spartan Carneian festival.
Often the epithet is the result of fusion of the Olympian divinity with an older one: Poseidon Erechtheus, Artemis Orthia, reflect intercultural equations of a divinity with an older one, that is generally considered its pendant; thus most Roman gods and goddesses, especially the Twelve Olympians, had traditional counterparts in Greek, Etruscan and most other Mediterranean pantheons, e.g. Jupiter as head of the Olympian Gods with Zeus, but in specific cult places there may even be a different equation, based on one specific aspect of the divinity. Thus the Greek word Trismegistos "thrice grand" was first used as a Greek name for the Egyptian god of science and invention, Thot, and later as an epitheton for the Greek Hermes and finally the fully equated Roman Mercurius (Mercury; both were also messenger of the gods). Among the Greeks, T. H. Price notes[4]the nurturing power of Kourotrophos might be invoked in sacrifices and recorded in inscription, without specifically identifying Hera or Demeter.
Some epithets were applied to several deities of a same pantheon, rather accidentally if they had a common characteristic, or deliberately emphasizing their blood- or other ties; thus in pagan Rome, several divinities (including demi-gods, heroes) were given the epitheton Comes as companion of another (usually major) divinity. An epithet can even be meant for collective use, e.g. in Latin pilleati 'the felt hat-wearers' for the brothers Castor and Pollux. Some epithets resist explanation.[5]
Similar practices still exist in Catholic and Orthodox Christianity in the veneration of Christ and, mainly, of the saints. "Our Lady of Lourdes" is essentially periphrasis, unless some aspect of the Virgin were being invoked.
Secular Matters
Politics and military
In historical, journalistic and other writings, one often encounters epitheta, but it is worthwhile distinguishing different types. While the same rationale as in the genealogical section above may apply, in some cases posthumously politicians, unlike ordinary citizens, often have some control over public opinion and generally more of an interest in their image, so whether forged for themselves or contrived by opponents, their epitheta often carry a political message.Indeed while these differ from official titles as they don't express any legal status, epitheta have been awarded and adopted (though the official procedure may provide for the formal decision to be issued by another institution, such as a legislative assembly) by statesmen in power for fairly formal use, not unsimilar in purpose to various sinecures, knighthoods or peerage-type titles in post-feudal societies: they confer prestige without any legal authority, so essentially a matter of image or even propaganda, aimed at a domestic and/or foreign target audience. Examples of such epithets are the various traditions of victory titles (see there) awarded to meritous generals and rulers since Antiquity, and the epithets awarded to entire units, e.g. such adjectives as 'Fidelis' 'loyal' to various Roman legions.
Biological nomenclature
In botanical nomenclature, an epithet may be the part of the botanical name that designates the species of a genus, or sub-species: in two and three part names, the epithet will follow the name of the genus or the name of the species, respectively. This occurs in the name of a species (consisting of a generic name plus a "specific epithet"), of a subdivision of the genus, or of an infraspecific taxon, such as a variety. Epithets exist not only in the ICBN, but also in later Codes inspired by this such as the ICNCP and the ICNB.Examples
- Arisaema candidissimum — here, candidissimum is the epithet.
- Passiflora edulis var. flavicarpa — both edulis and flavicarpa are epithets.
Casual usage
In casual usage, epithet also means a derogatory word or phrase used to insult someone although this euphemistic use is discredited by Martin Manser[6] and other prescriptive linguists.Notes
1. ^ W. Burkert, The Orientalizing Revolution: Near Eastern Influence on Greek Culture of the Early Archaic Age 1992, p 116.
2. ^ Hence the word mouseion= museum)
3. ^ Walter Burkert, Greek Religion (Harvard University Press, 1985) III.4.4. "The special character of Greek anthropomorphism", especially p. 184.
4. ^ Price, Kourotrophos, 1978, noted by Burkert 1985:184.
5. ^ Burkert 1985:184.
6. ^ Manser, Martin H. (2007), Good Word Guide sixth edition, A&C Black, 147 ISBN 978-0-7136-7759-1
2. ^ Hence the word mouseion= museum)
3. ^ Walter Burkert, Greek Religion (Harvard University Press, 1985) III.4.4. "The special character of Greek anthropomorphism", especially p. 184.
4. ^ Price, Kourotrophos, 1978, noted by Burkert 1985:184.
5. ^ Burkert 1985:184.
6. ^ Manser, Martin H. (2007), Good Word Guide sixth edition, A&C Black, 147 ISBN 978-0-7136-7759-1
See also
- Bahuvrihi, a Proto-Indo-European formation designed for epitheta.
- List of monarchs by nickname
- List of nicknames of European Royalty and Nobility
binomial nomenclature is the formal system of naming species. The system is also called binominal nomenclature (particularly in zoological circles), binary nomenclature (particularly in botanical circles), or the binomial classification system.
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For the journal, see .
Linguistics is the scientific study of language, which can be theoretical or applied. Someone who engages in this study is called a linguist...... Read more.
Metaphor (from the Greek: metapherin) is language that directly compares seemingly unrelated subjects. In the simplest case, this takes the form: "The [first subject] is a [second subject].
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Apposition is a grammatical construction in which two elements, normally noun phrases, are placed side by side, with one element serving to define or modify the other. When this device is used, the two elements are said to be in apposition.
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A cliché (from French, klɪ'ʃe) is a phrase, expression, or idea that has been overused to the point of losing its intended force or novelty, especially when at some time it was considered distinctively forceful
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Walter Burkert (born Neuendettelsau, Bavaria, February 2, 1931), a scholar of Greek mythology and cult, is an emeritus professor of classics at the University of Zurich, Switzerland, and also has taught in the United Kingdom and the United States.
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Richard I
By the Grace of God, King of the English, Duke of the Normans and Aquitanians, Count of the Angevins
Reign 6 July 1189 – 6 April 1199
Coronation 3 September 1189
Born 8 September 1157
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By the Grace of God, King of the English, Duke of the Normans and Aquitanians, Count of the Angevins
Reign 6 July 1189 – 6 April 1199
Coronation 3 September 1189
Born 8 September 1157
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Charles the Fat (Latin: Carolus Pinguis[1]; 13 June 839 – 13 January 888) was the King of Alemannia from 876, King of Italy from 879, Holy Roman Emperor (as Charles III
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Charles II
King of Western Francia
Charles the Bald - Detail from a painting in the First Bible of Charles the Bald, painted ca. 845-851, kept at the Bibliothèque nationale de France.
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King of Western Francia
Charles the Bald - Detail from a painting in the First Bible of Charles the Bald, painted ca. 845-851, kept at the Bibliothèque nationale de France.
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Alexander III, the Great
Basileus of Macedon, Hegemon of the Hellenic League, Shah of Persia, Pharaoh of Egypt
Alexander fighting Persian king Darius III. From Alexander Mosaic, from Pompeii, Naples, Museo Archeologico Nazionale.
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Basileus of Macedon, Hegemon of the Hellenic League, Shah of Persia, Pharaoh of Egypt
Alexander fighting Persian king Darius III. From Alexander Mosaic, from Pompeii, Naples, Museo Archeologico Nazionale.
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Catherine the Great
Empress and Autocrat of All the Russias
Catherine II of Russia
Reign June 28, 1762 – 15 November, 1796
Full name Sophie Friederike Auguste von Anhalt-Zerbst
Born May 2 1729
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Empress and Autocrat of All the Russias
Catherine II of Russia
Reign June 28, 1762 – 15 November, 1796
Full name Sophie Friederike Auguste von Anhalt-Zerbst
Born May 2 1729
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ethnic slurs that are, or have been, used as insinuations or allegations about members of a given ethnicity or to refer to them in a derogatory (critical or disrespectful), pejorative (disapproving or contemptuous), or downright insulting manner in the English-speaking world.
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In literature, a kenning is a poetic phrase, a figure of speech, substituted for the usual name of a person or thing. Kennings work in much the same way as epithets and verbal formulae, and were commonly inserted into Old English poetic lines.
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Beowulf is an Old English heroic epic[1] poem of anonymous authorship whose dating is uncertain. Its creation is typically assigned by scholars either to the period 700–750 AD, or to the time of composition of the only manuscript, circa 1010.
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Kennings
Kennings Primary meaning Secondary/implied/allusive meaning Source languages Documents and sources
Ægir's daughters waves Ægir had nine daughters called billow maidens who were personifications of the waves.
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Kennings Primary meaning Secondary/implied/allusive meaning Source languages Documents and sources
Ægir's daughters waves Ægir had nine daughters called billow maidens who were personifications of the waves.
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For other meanings of epic, see .
The epic is long, exalted narrative poetry, generally concerning a serious subject and details the heroic deeds and events important to a culture or nation...... Read more.
Homer is the name given to the purported author of the early Greek poems the Iliad and the Odyssey. It is now generally believed that they were composed by illiterate aoidoi (rhapsodes) in an oral tradition in the 8th or 7th century BC.
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A characteristic of Homer's style is the use of recurring epithets, such as the rosy-fingered dawn or swift-footed Achilles. These epithets were metric stop-gaps as well as mnemonic devices for the aoidos
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James Joyce
James Joyce, ca. 1918
Born: 2 January 1884
Rathgar, Dublin, Ireland
Died: 13 January 1941 (aged 60)
Zürich, Switzerland
Occupation: Novelist and Poet
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James Joyce, ca. 1918
Born: 2 January 1884
Rathgar, Dublin, Ireland
Died: 13 January 1941 (aged 60)
Zürich, Switzerland
Occupation: Novelist and Poet
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In rhetoric, antonomasia is the substitution of any epithet or phrase with a proper name; the reverse process is also sometimes called antonomasia. The word derives from the Greek word antonomazein meaning "to name differently".
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God
General approaches
Agnosticism Atheism
Deism Dystheism
Henotheism Ignosticism
Monism Monotheism
Natural theology Nontheism
Pandeism Panentheism
Pantheism Polytheism
Theism Theology
Transtheism
Specific conceptions
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General approaches
Agnosticism Atheism
Deism Dystheism
Henotheism Ignosticism
Monism Monotheism
Natural theology Nontheism
Pandeism Panentheism
Pantheism Polytheism
Theism Theology
Transtheism
Specific conceptions
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cult of a religion, quite apart from its sacred writings ("scriptures"), its theology or myths, or the personal faith of its believers, is the totality of external religious practice and observance, the neglect of which is the definition of impiety.
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In Greek and Roman mythology, Apollo (in Greek, Ἀπόλλων — Apóllōn or Ἀπέλλων — Apellōn), the ideal of the kouros
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MusE is a MIDI/Audio sequencer with recording and editing capabilities written by Werner Schweer. MusE aims to be a complete multitrack virtual studio for Linux: it currently has no support under other platforms, due to its reliance on JACK and ALSA.
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The Athena Promachos ("Athena who fights in the front line") was a colossal bronze statue of Athena sculpted by the great Pheidias, which stood between the Propylaea[1] and the Parthenon on the Acropolis of Athens.
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Numen ("presence", plural numina) is a Latin term for the power of either a deity or a spirit that informs places and objects in Roman religion. The multiplication of names for Italic gods may obscure this sense of numinous
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The Carneian festival (Κάρνεια) was one of the most important religious festivals in ancient Sparta and other Dorian cities, held in honor of Apollo Carneios, who was worshipped in various parts of the Peloponnesus.
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In Greek mythology, Erectheus was an early king of Athens. Early writers often identified him with either Erichthonius, who later became known as his grandfather, or with the god Poseidon, whose attributes he often shares, and whose rites on the Acropolis were similar to his.
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Sanctuary of Artemis Orthia, an archaic site devoted in Classical times to Artemis, was one of the most important religious sites in the Greek city-state of Sparta[1].
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Twelve Olympians, also known as the Dodekatheon (Greek: Δωδεκάθεον
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