Information about Electro Music
- This article is about the genre known as simply electro, not to be confused with electro house, electroclash, electropop or electro-industrial, which are also often referred to as "electro" for short. See Electro for other meanings of the term "electro".
| Electro | |
|---|---|
| Stylistic origins: | Synthpop, Disco, Funk and Old school hip hop |
| Cultural origins: | early 1980s Germany, United Kingdom, United States |
| Typical instruments: | Synthesizer, Drum machine, Vocoder, Sampler |
| Mainstream popularity: | Mid- to late 1980s with a revival in the late 1990s |
| Derivative forms: | Electroclash |
| Subgenres | |
| Electro funk - Electro Bass - Freestyle music - Miami bass - Glitch Electro - Techno Bass - - Downtempo Electro - Minimal Electro | |
| Fusion genres | |
| Ghettotech | |
Definition and characteristics
Electro is an artistic musical form in the wide world of electronic music culture. With few exceptions, the definition of the electro sound is the use of drum machines as the base of a track for broken, syncopated rhythms. Adopted by many electro enthusiasts, the Roland TR-808 is a legendary drum machine created in 1980 with a recognizable sound; it is still used and cherished today. The instrumentation is generally all-electronic highly emphasized by sound design experimentations with funk-style simulated bass lines, sequenced or arpeggiated synthetic riffs and unheard sound effects, all created with synthesizers. Heavy use of effects such as reverbs, , chorus or phasers together with original electronic pads create a rich and simultaneously cold sound that emphasizes the common science fiction theme of the lyrics or instrumental expressions. Not all electro features rapping; vocals processed through a vocoder is a common element and try to imitate cybernetic/robotic locutions or simple speech machine formulations. Also, instrumental tracks are more prominent than in related genres of electronic music and hip hop music.Concept albums are common in electro with Kraftwerk pioneering entire albums in technological or futuristic themes such as robots, computers or nuclear sciences. Other examples even include Star Trek tributes, references and topics about cybernetics, physics or interstellar travel inside electro projects such as I Borg, the Borganizm EP from Cybernet Systems, Il. Ek.Tro's track V-ger or Pascal F.E.O.S.'s GPL (Electro cut remix) (Gold Pressed Latinum). Many artists are entirely devoted to various sci-fi subjects of this kind.
History
Bronx, NY based electro funk artist Afrika Bambaataa's "Planet Rock" (1982) is one of the first electro records, using elements of Kraftwerk's Trans-Europe Express and "Numbers" (from Kraftwerk's Computer World album).In 1983, along came upper Manhattan, NY based Cutting Records' first recording artist Hashim. Hashim, or Jerry Calliste Jr. created the influential electro funk tune "Al-Naafiysh (The Soul)". "Al Naafiysh" became Cutting's first release in November of 1983, and Calliste became the label's vice president (Kellman, 2007)[1]." At the time Hashim was influenced by Man Parrish's "Hip Hop Be Bop", Thomas Dolby's "She Blinded Me With Science" and Afrika Bambaataa's "Planet Rock" [2]. "Al-Naafiysh (The Soul)" managed to crossover into the mainstream music markets around the world and is now one of the world's most sought after electro tunes in electro music's history.
Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins' Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie, Shep Pettibone, and the Latin Rascals) would feature prominently in the Latin Freestyle (or simply "Freestyle") movement of the early and mid-1980s. Baker and Pettibone would enjoy robust careers well into the house era, and both would elude the "genre trap" to successfully produce mainstream artists.
Subgenres
Los Angeles artists Egyptian Lover and Arabian Prince gave birth to electro-hop a less funky, more bass-heavy West Coast sound, similar to 2 Live Crew and the Miami Bass scene. Other artists in this style include Chris "The Glove" Taylor and World Class Wreckin' Cru.Detroit also has a unique style sometimes called Techno Bass which is a fusion of Detroit Techno with Miami Bass. On the East Coast electro spawned freestyle, when syncopated rhythms were added to the basic formula. In Miami, a prominent subgenre of Freestyle (best termed "Latin Hip Hop") would emerge as HiNRG and House music elements were thrown into the soup. The most famous example of this style would be studio group Expose, who would eventually be brought to life as a live-singing girl group and would achieve platinum success in the late 1980s with such hits as "Point Of No Return" and "Seasons Change".
Contemporary electro
Although the early 1980s were electro's heyday in the mainstream, it has enjoyed new popularity in the late 1990s with artists such as Anthony Rother, DMX Krew, Mr Velcro Fastener and Japanese Telecom (Dopplereffekt) and DJs such as Dave Clarke. Some current artists making music in this style have embraced the pseudonyms of Detroit techno pioneers. The renewed interest in electro, though influenced to a great degree by Detroit and New York music, is primarily taking hold elsewhere with electro club nights becoming commonplace again.A new branch of electro, Skweee, has risen over the last couple of years from Scandinavian countries such as Sweden and Finland, hence its first name "Scandinavian Funk". The outlets and artists of Skweee are still mostly limited to Scandinavia.
Music sample
| Planet Rock (sample) | |
| Short sample of "Planet Rock", originally released in 1982 by Afrika Bambaataa and Soulsonic Force. | |
| Problems listening to the file? See media help | |
Artists
This is a list of some electro artists. For electroclash artists: see list of electroclash artists. For electropop artists: see electropop.See also
|
Video clips
References
1. ^ Kellman, A. (2007). Hashim Biography. All Media Guide. Retrieved September 6, 2007, from [1]
2. ^ Electro Empire. (2000). Hashim interview. ElectroEmpire Articles. Retrieved on September 5, 2007. from [2]
2. ^ Electro Empire. (2000). Hashim interview. ElectroEmpire Articles. Retrieved on September 5, 2007. from [2]
External links
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Electro house (also known as dirty house, electrotech, and often shortened to electro) is a subgenre of house music that rose to become one of the most prominent genres of electronic dance music in 2004-today.
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Electropop (also called Technopop) is a form of synth pop music that is made with synthesizers, and which first flourished from 1978 to 1981. Electropop laid the groundwork for a mass market in chart-oriented synthpop, but later became seen by musicologists as merely a
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Electro-industrial, also called Elektro (not to be confused with Electro, a sub-genre of hip-hop), was a musical outgrowth of the EBM and Post-industrial scene. It developed in the late 1980s and first half of the 1990s.
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Electro may refer to:
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- Electro music, a genre of music related to hip hop and funk.
- Genres descended from electro, such as electroclash, electropop, and electro house, although this use is contentious
- Electro (fashion)
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Synthpop is a subgenre of New Wave in which the synthesizer is the dominant musical instrument. It is most closely associated with the era between the late 1970s and early to middle 1980s, although it has continued to exist and develop ever since.
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Disco is a genre of dance-oriented pop music that was popularized in dance clubs (discothèques) in the mid-1970s. Disco songs usually have soaring, often reverberated vocals over a steady four-on-the-floor beat, an eighth note (quaver) or sixteenth note (semi-quaver) hi-hat pattern
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For other uses, including related musical genres, see .
Funk is an American musical style that originated in the mid- to late-1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music...... Read more.
Old school hip hop describes the some of earliest hip hop music to come out of the block parties of New York City in the late 1970s and early 1980s. It is preceded by the Roots of hip hop from the early 1970s to the late 1970s, hip-hop formative period.
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Anthem
"Das Lied der Deutschen" (third stanza)
also called "Einigkeit und Recht und Freiheit"
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"Das Lied der Deutschen" (third stanza)
also called "Einigkeit und Recht und Freiheit"
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Motto
"Dieu et mon droit" [2] (French)
"God and my right"
Anthem
"God Save the Queen" [3]
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"Dieu et mon droit" [2] (French)
"God and my right"
Anthem
"God Save the Queen" [3]
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Motto
"In God We Trust" (since 1956)
"E Pluribus Unum" ("From Many, One"; Latin, traditional)
Anthem
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"In God We Trust" (since 1956)
"E Pluribus Unum" ("From Many, One"; Latin, traditional)
Anthem
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A musical instrument is a device constructed or modified with the purpose of making music. In principle anything that, produces sound, and can somehow be controlled by a person playing it, can serve as a musical instrument.
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Synthesizer is generally any kind of electronic musical instrument, or electronic device capable of producing or manipulating audio tones, such as musical notes, through audio signal processing.
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A drum machine is an electronic musical instrument designed to imitate the sound of drums and/or other percussion instruments. Drum machines are very useful instruments for a wide variety of musical genres, not just purely electronic music.
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sampler is an electronic music instrument closely related to a synthesizer. Instead of generating sounds from scratch, however, a sampler starts with multiple recordings (or “samples”) of different sounds, and then plays each back based on how the instrument is
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For the band, see .
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- This article is about the genre known as simply electro, not to be confused with electro house, electroclash, electropop or electro-industrial, which are also often referred to as "electro" for short. See Electro for other meanings of the term "electro".
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Freestyle or Latin Freestyle, also called Latin Hip Hop in its early years, is a form of electronic music that is heavily influenced by Latin American culture.
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This article or section needs copy editing for grammar, style, cohesion, tone and/or spelling.
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Characteristics
Techno Bass is a new school style of electro that is heavily influenced by Miami Bass (the bass side) and Detroit Techno. It frequently includes themes about technology, sensuality and futurism...... Read more.
Ghettotech is a form of electronic dance music originating from Detroit. It combines elements of Chicago's ghetto house with electro, hip hop, techno, and grafts the perceived raunch of Miami Bass as the vocal stamp of the music.
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Electronic music refers to music that emphasizes the use of electronic musical instruments or electronic music technology as a central aspect of the sound of the music. [1]
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Kraftwerk (pronounced [ˈkʁaftvɛɐk], German for "power station") is a German musical group from Düsseldorf that has made immense contributions to the development of improvisational rock and electronic music,
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For other uses, including related musical genres, see .
Funk is an American musical style that originated in the mid- to late-1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music...... Read more.
Disco is a genre of dance-oriented pop music that was popularized in dance clubs (discothèques) in the mid-1970s. Disco songs usually have soaring, often reverberated vocals over a steady four-on-the-floor beat, an eighth note (quaver) or sixteenth note (semi-quaver) hi-hat pattern
..... Read more.
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A drum machine is an electronic musical instrument designed to imitate the sound of drums and/or other percussion instruments. Drum machines are very useful instruments for a wide variety of musical genres, not just purely electronic music.
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Roland TR-808 Rhythm Composer was one of the first programmable drum machines ("TR" serving as an acronym for "Transistor Rhythm"). Introduced by the Roland Corporation in late 1980, it was originally manufactured for use as a tool for studio musicians to create demos.
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