What is Philip K. Dick?

Philip K. Dick

Philip K. Dick (photo by Nicole Panter ©2007)
Pseudonym:	Richard Philips, Jack Dowland
Born:	November 16 1928(1928--) Chicago, Illinois, U.S.
Died:	March 2 1982 (aged 55) Santa Ana, California, U.S.
Occupation:	Novelist, short story writer
Nationality:	American
Genres:	Science Fiction Postmodernism
Influences:	Flaubert, Balzac, Kant, Samuel Beckett, Dostoyevsky, John Sladek, Nathanael West, Jorge Luis Borges
Influenced:	The Wachowski Brothers, Jean Baudrillard, David Cronenberg, Richard Linklater, Jonathan Lethem, Fredric Jameson, Slavoj Žižek, Roberto Bolaño, Rodrigo Fresán, Mark E. Smith
Website:	PhilipKDick.com

Philip Kindred Dick (December 16 1928 – March 2 1982) was an American writer, mostly known for his works of science fiction. In addition to his dozens of published novels,^[1] Dick wrote approximately 121 short stories, many of which appeared in science fiction magazines.^[2] At least eight of his stories have been adapted for film.

Overview

Foreshadowing the cyberpunk sub-genre, Philip K. Dick brought the anomic world of California to many of his works, exploring sociological and political themes in novels which were often dominated by monopolistic corporations and authoritarian governments. In his later works, Dick addressed the nature of drug use, paranoia and schizophrenia, religious experience and theology, drawing upon his own life experiences in novels such as A Scanner Darkly and VALIS.

His novel The Man in the High Castle bridged the genres of alternative history and science fiction, earning a Hugo Award for Best Novel in 1963. Flow My Tears, The Policeman Said, a novel about a celebrity who awakens in a parallel universe where he is completely unknown, won the John W. Campbell Memorial Award for best novel in 1975. "I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards," Dick wrote of these stories. "In my writing I even question the universe; I wonder out loud if it is real, and I wonder out loud if all of us are real." Dick spent most of his career as a writer in near-poverty.^[3]

Dick's stories have been adapted into popular films such as Blade Runner, Total Recall, A Scanner Darkly, Minority Report, Imposter and others. In 2007 Dick became the first science fiction writer to be included in The Library of America series (#173).

Common themes

Dick's stories typically focus on the fragile nature of what is "real" and the construction of personal identity. His stories often become surreal fantasies as the main characters slowly discover that their everyday world is actually an illusion constructed by powerful external entities (such as in Ubik <ref name="Ursula" />), vast political conspiracies, or simply from the vicissitudes of an unreliable narrator.

"All of his work starts with the basic assumption that there cannot be one, single, objective reality," writes science fiction author Charles Platt. "Everything is a matter of perception. The ground is liable to shift under your feet. A protagonist may find himself living out another person's dream, or he may enter a drug-induced state that actually makes better sense than the real world, or he may cross into a different universe completely."^[4]

"I used to dig in the garden, and there is nothing fantastic or ultradimensional about crab grass... unless you are an sf (science fiction) writer, in which case you are viewing crab grass with suspicion. What are its real motives? And who sent it in the first place?" Philip K Dick, We can remember it for you wholesale, Notes, 1987, Orion.

Alternate universes and simulacra were common plot devices, with fictional worlds inhabited by common, working people, rather than galactic elites. "There are no heroes in Dick's books," Ursula K. Le Guin wrote, "but there are heroics. One is reminded of Dickens: what counts is the honesty, constancy, kindness and patience of ordinary people."^[5] Dick made no secret that much of his ideas and work were heavily influenced by the writings of C.G. Jung, the Swiss founder of the theory of the human psyche he called "Analytical Psychology" (to distinguish it from Freud's theory of psychoanalysis). Jung was a self-taught expert on the unconscious and mythological foundations of conscious experience and was open to the Reality underlying mystical experiences. The Jungian constructs and models that most concerned Dick seem to be the archetypes of the collective unconscious, group projection/ hallucination, synchronicities, and personality theory. Many of Dick's protagonists overtly analyze reality and their perceptions in Jungian terms (see Lies Inc.), while other times, the themes are so obviously in reference to Jung their usage needs no explanation. Dick's self-named "Exegesis" also contained many notes on Jung in relation to theology and mysticism.

Life

Early life

Philip Kindred Dick and his twin sister, Jane Charlotte Dick, were born six weeks premature to Dorothy Kindred Dick and Joseph Edgar Dick in Chicago.^[6] Dick's father, a fraud investigator for the United States Department of Agriculture, had recently taken out life insurance policies on the family. An insurance nurse was dispatched to the Dick household. Upon seeing the malnourished Philip and injured Jane, the nurse rushed the babies to hospital. Baby Jane died enroute, just five weeks after her birth (January 26, 1929). The death of Philip's twin sister profoundly affected his writing, relationships, and every aspect of his life, leading to the recurrent motif of the "phantom twin" in many of his books.

The family moved to the San Francisco Bay Area. When Philip turned five, his father was transferred to Reno, Nevada. Dorothy refused to move, and she and Joseph were divorced. Joseph fought her for custody of Philip but did not win it. Dorothy, determined to raise Philip alone, took a job in Washington, D.C. and moved there with her son.

Philip K. Dick was enrolled at John Eaton Elementary School from 1936 to 1938, completing the second through the fourth grades. His lowest grade was a "C" in written composition, although a teacher remarked that he "shows interest and ability in story telling." In June 1938, Dorothy and Philip returned to California.

Dick attended Berkeley High School, Berkeley, California. He and Ursula K. Le Guin were members of the same high school graduating class (1947), yet were unknown to each other at the time. After graduating from high school he briefly attended the University of California, Berkeley as a German major, but dropped out before completing any coursework. At Berkeley Phil befriended poet Robert Duncan. He claimed to have been host of a classical music program on KSMO Radio in 1947. From 1948 to 1952 he worked in a record store. In 1955, Dick and his wife, Kleo Apostolides, received a visit from the FBI. They believed this resulted from Kleo's socialist views and left-wing activities. The couple briefly befriended one of the FBI agents. Dick himself regarded Communism as a control system equivalent to fascism.[8]

Early writing career

Dick sold his first story in 1952. From that point on he wrote full-time, selling his first novel in 1955. The 1950s were a difficult impoverished time for Dick. He once said, "We couldn't even pay the late fees on a library book."

He published almost exclusively within the science fiction genre, but dreamed of a career in the mainstream of American literature. During the 1950s he produced a series of nongenre, non-science fiction novels. In 1960 he wrote that he was willing to "take twenty to thirty years to succeed as a literary writer." The dream of mainstream success formally died in January 1963 when the Scott Meredith Literary Agency returned all of his unsold mainstream novels. Only one of these works, Confessions of a Crap Artist, was published during Dick’s lifetime.^[7]

Recognition and success

In 1963, Dick won the Hugo Award for The Man in the High Castle. Although he was hailed as a genius in the science fiction world, the mainstream literary world was unappreciative, and he could publish books only through low-paying science fiction publishers such as Ace. Even in his later years, he continued to have financial troubles.

In the introduction to the 1980 short story collection "The Golden Man," Dick wrote: "Several years ago, when I was ill, Heinlein offered his help, anything he could do, and we had never met; he would phone me to cheer me up and see how I was doing. He wanted to buy me an electric typewriter, God bless him—one of the few true gentlemen in this world. I don't agree with any ideas he puts forth in his writing, but that is neither here nor there. One time when I owed the IRS a lot of money and couldn't raise it, Heinlein loaned the money to me. I think a great deal of him and his wife; I dedicated a book to them in appreciation. Robert Heinlein is a fine-looking man, very impressive and very military in stance; you can tell he has a military background, even to the haircut. He knows I'm a flipped-out freak and still he helped me and my wife when we were in trouble. That is the best in humanity, there; that is who and what I love."

In 1972, Dick donated his manuscripts and papers to the Special Collections Library at California State University, Fullerton where they are archived in the Philip K. Dick Science Fiction Collection in the Pollak Library. It was in Fullerton that Philip K. Dick befriended science fiction writers K. W. Jeter, James Blaylock, and Tim Powers.

The last novel published during Dick's life was The Transmigration of Timothy Archer.

Visions and psychological problems

In his boyhood, around the age of thirteen, Dick had a recurring dream for several weeks. He dreamt he was in a bookstore, trying to find an issue of Astounding Magazine. This issue of the magazine would contain the story titled "The Empire Never Ended", which would reveal the secrets of the universe to him. As the dream recurred, the pile of magazines he searched grew smaller and smaller, but he never reached the bottom. Eventually, he became anxious that discovering the magazine would drive him mad (as in Lovecraft's Necronomicon or Chambers' The King in Yellow, promising insanity to the reader). Shortly thereafter, the dreams ceased, but the phrase "The Empire Never Ended" would appear later in his work. Dick was a voracious reader of religion, philosophy, metaphysics, and Gnosticism, ideas of which appear in many of his stories and visions.

On February 20, 1974, Dick was recovering from the effects of sodium pentothal administered for the extraction of an impacted wisdom tooth. Answering the door to receive delivery of extra analgesic, he noticed that the delivery woman was wearing a pendant with a symbol that he called the "vesicle pisces". This name seems to have been based on his confusion of two related symbols, the ichthys (two intersecting arcs delineating a fish in profile) that early Christians used as a secret symbol, and the vesica piscis.

After the deliverywoman's departure, Dick began experiencing strange visions. Although they may have been initially attributable to the medication, after weeks of visions he considered this explanation implausible. "I experienced an invasion of my mind by a transcendentally rational mind, as if I had been insane all my life and suddenly I had become sane," Dick told Charles Platt.^[4]

Throughout February and March of 1974, he received a series of visions, which he referred to as "two-three-seventy-four" (2-3-74), shorthand for February-March 1974. He described the initial visions as laser beams and geometric patterns, and, occasionally, brief pictures of Jesus and of ancient Rome. As the visions increased in length and frequency, Dick claimed he began to live a double life, one as himself, "Philip K. Dick", and one as "Thomas", a Christian persecuted by Romans in the 1st century A.D. Despite his history of drug use and elevated stroke risk, Dick began seeking other rationalist and religious explanations for these experiences. He referred to the "transcendentally rational mind" as "Zebra", "God" and, most often, "VALIS". Dick wrote about the experiences in the semi-autobiographical novels Valis and Radio Free Albemuth.

In time, Dick became paranoid, imagining plots against him by the KGB and FBI. At one point, he alleged they were responsible for a burglary of his house, from which documents were stolen. He later came to suspect that he might have committed the burglary against himself, and then forgotten he had done so. This experience is mirrored in the Bob Arctor-Agent Fred character in A Scanner Darkly.

Dick himself speculated as to whether he may have suffered from schizophrenia. Mental illness was a constant interest of Dick's, and themes of mental illness permeate his work. The character Jack Bohlen in the 1964 novel Martian Time-Slip is an "ex-schizophrenic". The novel Clans of the Alphane Moon centers on an entire society made up of descendants of lunatic asylum inmates. In 1965 he wrote the essay titled Schizophrenia and the Book of Changes.^[8]

Drug use was also a theme in many of Dick’s works, such as A Scanner Darkly and The Three Stigmata of Palmer Eldritch. Dick was a drug user for much of his life. According to a 1975 interview in Rolling Stone [1], Dick wrote all of his books published before 1970 high on amphetamines. "A Scanner Darkly [published in 1977] was the first complete novel I had written without speed," said Dick in the interview. He also experimented briefly with psychedelics, but wrote The Three Stigmata of Palmer Eldritch, which Rolling Stone dubs “the classic LSD novel of all time,” before he had ever tried them.

Aliases

He occasionally wrote under pen names, most notably Richard Philips and Jack Dowland. The surname Dowland refers to composer John Dowland, who is featured in several works. The title Flow My Tears, The Policeman Said directly refers to Dowland's best-known composition, Flow My Tears. In the novel The Divine Invasion, the 'Linda Fox' character is an intergalactically famous singer whose entire body of work consists of remakes of John Dowland compositions. Also, some protagonists in Dick's short fiction are named 'Dowland'.

The short story "Orpheus with Clay Feet" was published under the pen name "Jack Dowland". The protagonist desires to be the muse for fictional author Jack Dowland, considered the greatest science fiction author of the 20th century. In the story, Dowland publishes a short story titled "Orpheus with Clay Feet", under the pen name "Philip K. Dick".

In the semi-autobiographical novel VALIS, the protagonist is named "Horselover Fat"; "Philip", or "Phil-Hippos", is Greek for "horselover", while "dick" is German for "fat".

Although he never used it himself, Dick's fans and critics often refer to him familiarly as "PKD" (cf. Jorge Luis Borges' "JLB"), and use the comparative literary adjectives "Dickian" and "Phildickian" in describing his style and themes (cf. Kafkaesque, Orwellian).

Marriages and children

Dick married five times, and had two daughters and a son; each marriage ended in divorce.

• May 1948, to Jeanette Marlin (lasted six months)
• June 1950, to Kleo Apostolides (divorced 1959)
• 1959, to Anne Williams Rubinstein (child: Laura Archer, born February 25, 1960) (divorced 1964)
• 1966, to Nancy Hackett (child: Isolde, "Isa") (divorced 1972)
• April 18, 1973, to Leslie (Tessa) Busby (child: Christopher) (divorced 1977)

Death

Philip K. Dick died in Santa Ana, California, on March 2, 1982. He had suffered a stroke five days earlier, and was disconnected from life support after his EEG had been consistently isoelectric since losing consciousness. After his death, his father Edgar took his son's ashes to Fort Morgan, Colorado. When his twin sister, Jane, died, her tombstone had both their names carved to it, with an empty space for Dick's death date. Brother and sister were eventually buried next to each other.

Dick was "resurrected" by his fans in the form of a remote-controlled android designed in his likeness. The android of Philip K. Dick was impanelled in a San Diego Comic Con presentation about the film adaptation of the novel, A Scanner Darkly. In February 2006, an airline misplaced the android, and it has not yet been found.

Biographical film

On 8 August 2006, actor Paul Giamatti announced that his company, Touchy Feely Films, plans to produce a biopic about Dick, with the permission of Isa Dick Hackett, PKD's daughter, through her company Electric Shepherd Productions. Tony Grisoni, who wrote the screenplays for films such as Terry Gilliam's Tideland and Fear and Loathing in Las Vegas, is writing the film script.^[9]

Selected works

For complete bibliography, see Bibliography of Philip K. Dick.

The Man in the High Castle

Main article: The Man in the High Castle

The Man in the High Castle (1962) occurs in an alternate universe United States ruled by the victorious Axis powers. It is considered a defining novel of the alternate history sub-genre, and is the only Dick novel to win a Hugo Award. Philipkdickfans.com recommends this novel, along with Do Androids Dream of Electric Sheep? and Ubik, as an introductory novel to readers new to the writing of Philip K. Dick.^[10]

The Three Stigmata of Palmer Eldritch

Main article: The Three Stigmata of Palmer Eldritch

The Three Stigmata of Palmer Eldritch (1965) utilizes an array of science fiction concepts and features several layers of reality and unreality. It is also one of Dick’s first works to explore religious themes.

The Three Stigmata of Palmer Eldritch occurs in the twenty-first century, when, under United Nations authority, mankind has colonized the solar system's every habitable planet and moon. Life is physically daunting and psychologically monotonous for most colonists, so the UN must draft people to go to the colonies. Most entertain themselves using Perky Pat dolls and accessories manufactured by Earth-based P.P. Layouts. The company also secretly creates Can-D, an illegal but widely available hallucinogenic drug allowing the user to "translate" into Perky Pat (if the drug user is a woman) or Pat's boyfriend, Walt (if the drug user is a man). This recreational use of Can-D allows colonists to experience a few minutes of an idealized life on Earth by participating in a collective hallucination.

Do Androids Dream of Electric Sheep?

Main article: Do Androids Dream of Electric Sheep?

Do Androids Dream of Electric Sheep? is the story of a bounty hunter policing the local android population. It occurs on a dying, poisoned Earth de-populated of all "successful" humans; the only remaining inhabitants of the planet are people with no prospects off-world. Androids, also known as andys, all have a preset "death" date. However, a few andys seek to escape this fate and supplant the humans on Earth.

Do Androids Dream of Electric Sheep? (1968) is well known as the literary source of the influential 1982 film Blade Runner. It is both a conflation and an intensification of the pivotally Dickian question, What is real, what is fake? Are the human-looking and human-acting androids fake or real humans? Should we treat them as machines or as people? What crucial factor defines humanity as distinctly 'alive', versus those merely alive only in their outward appearance?

Ubik

Main article: Ubik

Ubik (1969) uses extensive networks of psychics and a suspended state after death in creating a state of eroding reality. A group of psychics is sent to investigate a group of rival psychics, but several of them are apparently killed by a saboteurs bomb. Much of the novel flicks between a number of equally plausible realities; the 'real' reality, a state of half-life and psychically manipulated realities. In 2005, Time Magazine listed it among the All-TIME 100 Greatest Novels.^[11]

Flow My Tears, The Policeman Said

Main article: Flow My Tears, The Policeman Said

Flow My Tears, The Policeman Said (1974) concerns Jason Taverner, a television star living in a dystopic near-future police state. After being attacked by an angry ex-girlfriend, Taverner awakens in a dingy hotel room. He still has his money in his wallet, but his identification cards are missing. This is no minor inconvenience, as security checkpoints (manned by 'pols' and 'Nats', the police and National Guard) are set up throughout the city to stop and arrest anyone without valid ID.

Jason at first thinks that he was robbed, but soon discovers that his entire identity has been erased. There is no record of him in any official database, and even his closest associates do not recognize or remember him. For the first time in many years, Jason has no fame or reputation to rely on. He has only his innate charisma to help him as he tries to find out what happened to his past and avoid the attention of the pols.

Flow My Tears, The Policeman Said was Dick's first published novel after years of silence, during which time his critical reputation had grown, and this novel was awarded the John W. Campbell Memorial Award for Best Science Fiction Novel. It is the only Philip K. Dick novel nominated both for a Hugo and for a Nebula Award.

In an essay written two years before dying, Dick described how he learned from his Episcopalian priest that an important scene in the novel was very similar to a scene in the Book of Acts.^[12] Richard Linklater talks about this novel in his film Waking Life, which begins with a scene reminiscent of another Dick novel, Time out of Joint.

A Scanner Darkly

Main article: A Scanner Darkly

A Scanner Darkly (1977) is a bleak mixture of science fiction and police procedural novels; in its story, an undercover narcotics police detective begins to lose touch with reality after falling victim to the same permanently mind altering drug, Substance D, he was enlisted to help fight. Substance D is instantly addictive, beginning with a pleasant euphoria which is quickly replaced with increasing confusion, hallucinations and eventually total psychosis. In this novel, as with all Dick novels, there is an underlying thread of paranoia and dissociation with multiple realities perceived simultaneously. It was adapted to film by Richard Linklater.

VALIS

Main article: VALIS

VALIS, (1980) is perhaps Dick’s most postmodern and autobiographical novel, examining his own unexplained experiences (see above). It may also be considered his most academically studied work, and was adapted as an opera by Tod Machover.^[13] VALIS was voted Philip K. Dick‘s best novel at the website philipkdickfans.com.^[14]

His later works, especially the VALIS trilogy, were heavily autobiographical, many with "two-three-seventy-four" (2-3-74) references and influences. The word VALIS is the acronym for Vast Active Living Intelligence System; it is the title of a novel (and is continued thematically in at least three more novels). Later, PKD theorized that VALIS was both a "reality generator" and a means of extraterrestrial communication. A fourth VALIS manuscript, Radio Free Albemuth, although composed in 1976, was discovered after his death and published in 1985. This work is described by the publisher (Arbor House)as "an introduction and key to his magnificent VALIS trilogy."

Exegesis

Main article: Exegesis (book)

Regardless of the feeling that he was somehow experiencing a divine communication, Dick was unable, ever, to fully rationalize the events. For the rest of his life, he struggled to fully comprehend what was occurring, questioning his own sanity and perception of reality. He transcribed what thoughts he could into an eight-thousand-page, one million word journal dubbed the Exegesis.

From 1974 until his death in 1982, Dick spent sleepless nights writing in this journal, often under the influence of prescription amphetamines. A recurring theme in Exegesis is PKD's hypothesis that history had been stopped in the 1st century B.C., and that "the Empire never ended". He saw Rome as the pinnacle of materialism and despotism, which, after forcing the Gnostics underground, had kept the population of Earth enslaved to worldly possessions. Dick believed that VALIS had communicated with him, and anonymous others, to induce the impeachment of U.S. President Richard M. Nixon, whom Dick believed to be the current Emperor of Rome incarnate.

Influence and legacy

Awards

During his lifetime, Dick was awarded with:

• Hugo Awards
• Best Novel
• 1963 - The Man in the High Castle (winner)
• 1975 - Flow My Tears, The Policeman Said (nominee)
• Best Novelette
• 1968 - Faith of Our Fathers (nominee)
• Nebula Awards
• Best Novel
• 1965 - Dr. Bloodmoney (nominee)
• 1965 - The Three Stigmata of Palmer Eldritch (nominee)
• 1968 - Do Androids Dream of Electric Sheep? (nominee)
• 1974 - Flow My Tears, The Policeman Said (nominee)
• 1982 - The Transmigration of Timothy Archer (nominee)
• John W. Campbell Memorial Award
• Best Novel
• 1975 - Flow My Tears, The Policeman Said (winner)

Also of note is the convention Norwescon which each year presents the Philip K. Dick Award.

Adaptations

Films

A number of Dick's stories have been made into movies. Dick himself wrote a screenplay for an intended film adaptation of Ubik in 1974, but the film was never made. Many film adaptations have not used Dick's original titles. When asked why this was, Dick's ex-wife Tessa said, "Actually, the books rarely carry Phil's original titles, as the editors usually wrote new titles after reading his manuscripts. Phil often commented that he couldn't write good titles. If he could, he would have been an advertising writer instead of a novelist."^[15]Films based on Dick's writing have accumulated a total revenue of around US $700 million as of 2004.^[16]

• The most famous film adaptation is Ridley Scott's classic movie Blade Runner (based on Dick's 1968 novel Do Androids Dream of Electric Sheep?). Dick was apprehensive about how his story would be adapted for the film; he refused to do a novelization of the film and he was critical of it and its director, Ridley Scott, during its production. When given an opportunity to see some of the special effects sequences of Los Angeles 2019, Dick was amazed that the environment was "exactly as how I'd imagined it!"^[17] Following the screening, Dick and Scott had a frank but cordial discussion of Blade Runner's themes and characters, and although they had differing views, Dick fully backed the film from then on. Dick died from a stroke less than four months before the release of the film.
• Total Recall (1990), based on the short story We Can Remember It for You Wholesale, evokes a feeling similar to that of the original story while streamlining the plot. However, the action-film protagonist is totally unlike Dick's typical nebbishy protagonist, a fearful and insecure anti-hero. It includes such elements as the confusion of fantasy and reality, the progression towards more fantastic elements through the story, machines talking back to humans, and the protagonist's doubts about his own identity.
• Total Recall 2070 (1999), a single season Canadian TV show (22 episodes), based on thematic elements from We Can Remember It for You Wholesale and Do Androids Dream of Electric Sheep? and interwoven with snippets of other Dick stories, is much closer in feel to both Dick's works than the better-known films based on them. Protagonist is aptly named David Hume.
• Steven Spielberg's adaptation of "The Minority Report" faithfully translates many of Dick's themes, but changes major plot points and adds an action-adventure framework.
• Dick's 1953 story Imposter has been adapted twice: first in 1962 for the British anthology television series Out of This World and then, in 2002, the movie Impostor utilizes two of Dick's most common themes: mental illness, which diminishes the sufferer's ability to discriminate between reality and hallucination, and a protagonist persecuted by an oppressive government.
• The film Screamers (1995) was based on a Dick short story Second Variety; the location was altered from a war-devastated Earth to a generic science fiction environment of a distant planet in the film.
• John Woo's 2003 film, Paycheck, was a very loose adaptation of Dick's short story of that name, and suffered greatly both at the hands of critics and at the box office.
• The French film Barjo ("Confessions d'un Barjo") is based on Dick's non-science-fiction book Confessions of a Crap Artist. Reflecting Dick's popularity and critical respect with the French, Barjo faithfully conveys a strong sense of Dick's aesthetic sensibility, unseen in the better-known film adaptations. A brief science fiction homage is slipped into the film in the form of a TV show.
• An animated film of A Scanner Darkly was directed by Richard Linklater. It stars Keanu Reeves as Fred/Bob Arctor and Winona Ryder as Donna. Robert Downey Jr. and Woody Harrelson, actors both noted for drug issues, were also cast in the film. The film was produced using the process of rotoscoping: it was first shot in live-action and then the live footage was animated over.
• Next, a loose adaptation of the short story "The Golden Man", was released in American theaters on April 27, 2007. It stars Nicolas Cage, Julianne Moore and Jessica Biel.

Stage and radio

• At least two of Dick's works have been adapted for the stage. The first was the opera VALIS, composed and with libretto by Tod Machover, which premiered at the Pompidou Center in Paris on December 1, 1987, with a French libretto. It was subsequently revised and readapted into English, and was recorded and released on CD (Bridge Records BCD9007) in 1988.
• The second known stage adaptation was Flow My Tears, The Policeman Said, produced by the New York-based avant-garde company Mabou Mines. It premiered in Boston at the Boston Shakespeare Theatre (June 18-30, 1985) and was subsequently staged in New York and Chicago.
• A radio drama adaptation of Dick's short story "Mr. Spaceship" was aired by the Finnish Broadcasting Company (Yleisradio) in 1996 under the name "Menolippu Paratiisiin".
• Radio dramatizations of Dick's short stories "Colony" and "The Defenders" were aired by NBC in 1956 as part of the series "X Minus One".

Dick as a fictional character

Since his death, Dick has appeared as a character in a number of novels and stories, most notably Michael Bishop's The Secret Ascension (1987; published in the UK under the author's preferred title Philip K. Dick is Dead, Alas), which is set in a Gnostic alternative universe where his non-genre work is published but his science fiction is banned by a totalitarian USA in thrall to a demonically possessed Richard Nixon.

Other fictional post-mortem appearances by Dick include:

• the short story The Transmigration of Philip K (1984) by Michael Swanwick (to be found in the 1991 collection Gravity's Angels),
• the short play Kindred Blood in Kensington Gore (1992) by Brian W. Aldiss,
• the Faction Paradox novel Of the City of the Saved... (2004) by Philip Purser-Hallard.

Dick is also the protagonist of Emmanuel Carrère's avantpop novel I Am Alive and You Are Dead, erroneously read as a biography of the US writer, actually full of fictional episodes and details. A 2005 play entitled 800 Words: the Transmigration of Philip K. Dick by Victoria Stewart re-imagines Dick's final days.^[18]

Role-playing game

In the Spanish role-playing game Fanhunter, the main enemy of the game, Pope Alejo, believes himself to be a reincarnation of Philip K. Dick, whom he met in the past, and controls most of Europe with a Church based on the "teachings" of Dick's books.

Contemporary philosophy

Few other writers of fiction have had such an impact on contemporary philosophy as Dick. His foreshadowing of post modernity has been noted by philosophers as diverse as Jean Baudrillard, Fredric Jameson and Slavoj Žižek. Žižek is especially fond of using Dick's short stories to articulate the ideas of Jacques Lacan. ^[19] For Baudrillard, Dick is the ultimate articulation of hyperreality:

"It is hyperreal. It is a universe of simulation, which is something altogether different. And this is so not because Dick speaks specifically of simulacra. SF has always done so, but it has always played upon the double, on artificial replication or imaginary duplication, whereas here the double has disappeared. There is no more double; one is always already in the other world, an other world which is not another, without mirrors or projection or utopias as means for reflection. The simulation is impassable, unsurpassable, checkmated, without exteriority. We can no longer move "through the mirror" to the other side, as we could during the golden age of transcendence."^[20]

Bibliography

Further information: Bibliography of Philip K. Dick

See also

• Philip K. Dick Award

Notes

External links

• Official website
• Blows Against the Empire The New Yorker's Adam Gopnik on Philip K. Dick
• Philip K Dick, A Critical Appreciation, Reviews from The Open Critic
• VALBS - An online secondary bibliography on Dick and his works
• "The Religious Experience of Philip K. Dick" by R. Crumb, Weirdo #17, Summer 1986.
• The Second Coming of Philip K. Dick by Frank Rose, an article from Wired about movies based on the Dick's novels
• How To Build A Universe That Doesn't Fall Apart Two Days Later (Essay by PKD on his "discovery" that we are living in the Roman Empire)
• Philip K. Dick: A Visionary Among the Charlatans, Stanislaw Lem's essay about the state of American science fiction circa 1975 with an extended appreciation of Dick
• Philip K. Dick at the Internet Speculative Fiction Database
• Philip K. Dick at the Open Directory Project

•  • [ e] Short stories by Philip K. Dick

The Cookie Lady Stability Roog Expendable The Little Movement The Preserving Machine The Short Happy Life of the Brown Oxford Beyond Lies the Wub The Gun The Skull The Defenders Mr. Spaceship Piper In The Woods The Infinities The Indefatigable Frog The Variable Man The Crystal Crypt The Builder Meddler Paycheck Out In The Garden The Great C The King Of The Elves Colony Prize Ship Nanny Beyond the Door Second Variety Jon's World The Cosmic Poachers Some Kinds of Life Progeny Martians Come In Clouds The Commuter The World She Wanted A Surface Raid The Trouble with Bubbles A Present for Pat Breakfast at Twilight Of Withered Apples The Hood Maker Human Is The Impossible Planet Adjustment Team Impostor James P. Crow Planet For Transients Small Town Souvenir Survey Team Vulcan's Hammer Prominent Author Fair Game The Hanging Stranger The Eyes Have It Time Pawn The Golden Man The Turning Wheel The Last of the Masters The Father-thing Strange Eden A Glass of Darkness Tony and the Beetles Null-O Exhibit Piece To Serve the Master The Crawlers Sales Pitch Shell Game Upon the Dull Earth Foster, You're Dead! Pay for the Printer War Veteran The Chromium Fence Misadjustment A World of Talent Psi-man Heal My Child! Service Call Autofac Captive Market The Mold of Yancy The Minority Report The Unreconstructed M Recall Mechanism Explorers We War Game If There Were No Benny Cemoli Novelty Act Waterspider What the Dead Men Say Orpheus with Clay Feet Stand-by The Days of Perky Pat What'll We Do With Ragland Park? Oh, to be a Blobel! All We Marsmen The War with the Fnools Cantata 140 A Game of Unchance The Little Black Box Precious Artifact The Unteleported Man Retreat Syndrome Project Plowshare Faith of our Fathers We Can Remember It For You Wholesale Holy Quarrel Your Appointment Will Be Yesterday Return Match Not By Its Cover The Story To End All Stories The Electric Ant A. Lincoln, Simulacrum Cadbury, the Beaver Who Lacked The Different Stages Of Love A Little Something For Us Tempunauts The Pre-persons The Eye of The Sibyl The Exit Door Leads In Chains Of Air, Web Of Aethyr Strange Memories Of Death I Hope I Shall Arrive Soon Rautavaara's Case Fawn, Look Back The Alien Mind The Day Mr. Computer Fell Out Of Its Tree Goodbye, Vincent 11-17-80 The Name of the Game is Death

Films based on works by Philip K. Dick
Blade Runner (1982) • Total Recall (1990) • Confessions of a Crap Artist (1992) • Screamers (1995) • Impostor (2002) • Minority Report (2002) • Paycheck (2003) • A Scanner Darkly (2006) • Next (2007)

Persondata
NAME	Dick, Philip Kindred
ALTERNATIVE NAMES
SHORT DESCRIPTION	American science fiction author
DATE OF BIRTH	December 16, 1928
PLACE OF BIRTH	Chicago, Illinois
DATE OF DEATH	March 2, 1982
PLACE OF DEATH	Santa Ana, California