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Information about Dvd Audio

DVD-Audio

The Flaming Lips' CD and DVD release of Yoshimi Battles the Pink Robots, one of the first major albums to employ the DVD-Audio format.
Media type:Optical disc
Encoding:Meridian Lossless Packing or uncompressed LPCM
Capacity:up to 8.5 GB
Read mechanism:640 nm wavelength semiconductor laser
Developed by:DVD Forum
Usage:Audio storage
Extended from:DVD
Optical disc authoring
Optical media types
Standards


DVD-Audio also known as DVDA is a digital format for delivering very high-fidelity audio content on a DVD. DVD-Audio includes no video and should not be confused with video DVDs containing concerts and music videos. The first discs entered the marketplace in 2000. Future occasional DVD-Audio releases are expected and/or have been announced. DVD-Audio is in a format war with Super Audio CD, another format for delivering high-fidelity audio content. Neither has gained much traction in the marketplace. Since media players that can play many formats (including DVD-Audio and SACD) are available, both formats are likely to co-exist (as do DVD-R and DVD+R).

Audio specifications

DVD-Audio offers many possible configurations of audio channels, ranging from single-channel mono to 5.1-channel surround sound, at various sampling frequencies and sample rates.[1] (The ".1" denotes a Low-frequency effects channel (LFE) for bass and/or special audio effects.)

Compared to the compact disc, the much higher capacity DVD format enables the inclusion of either:
  • Considerably more music (with respect to total running time and quantity of songs) or
  • Far higher audio quality, reflected by higher linear sampling rates and higher bit-per-sample resolution, and/or
  • Additional channels for spatial sound reproduction.
Audio on a DVD-Audio disc can be stored in many different bit-rate/sampling rate/channel combinations:

 16-, 20- or 24-bit
44.1 kHz 48 kHz 88.2 kHz 96 kHz 176.4 kHz 192 kHz
Mono (1.0)YesYesYesYesYesYes
Stereo (2.0)YesYesYesYesYesYes
Stereo (2.1)YesYesYesYesNoNo
Stereo + mono surround (3.0 or 3.1)YesYesYesYesNoNo
Quad (4.0 or 4.1)YesYesYesYesNoNo
3-stereo (3.0 or 3.1)YesYesYesYesNoNo
3-stereo + mono surround (4.0 or 4.1)YesYesYesYesNoNo
Full surround (5.0 or 5.1)YesYesYesYesNoNo


Different bit-rate/sampling rate/channel combinations can be used on a single disc. For instance, a DVD-Audio disc may contain a 96 kHz/24-bit 5.1-channel audio track as well as a 192 kHz/24-bit stereo audio track. Also, the channels of a track can be split into two groups stored at different resolutions. For example, the front speakers could be 96/24, while the surrounds are 48/20.

Audio is stored on the disc in Linear PCM format, which is either uncompressed or losslessly compressed with Meridian Lossless Packing. The maximum permissible total bitrate is 9.6 Megabits per second. Channel/resolution combinations that would exceed this need to be compressed. In uncompressed modes, it is possible to get up to 96/16 or 48/24 in 5.1, and 192/24 in stereo. To store 5.1 tracks in 88.2/20, 88.2/24, 96/20 or 96/24 MLP encoding is mandatory.

The LFE channel is actually full range, and can be recorded at the same resolution as the other channels. This permits it to be used instead as an extra main channel, for example as a "height" speaker above the listening position; this has been done on some releases. Such usage is non-standard, and will often require special set-up by the end user.

If no native stereo audio exists on the disc, the DVD-Audio player may be able to downmix the 5.1-channel audio to two-channel stereo audio if the listener does not have a surround sound setup (provided that the coefficients were set in the stream at authoring). Downmixing can only be done to two-channel stereo, not to other configurations, such as 4.0 quad. DVD-Audio may also feature menus, text subtitles, still images and video, plus in high end authoring systems it is also possible to link directly into a Video_TS folder that might contain Video tracks, as well as PCM stereo and other "bonus" features.

Player compatibility

The introduction of the DVD-Audio format required some kind of backward compatibility with existing DVD-Video players. To address this, most DVD-Audio discs contain, at a minimum, a Dolby Digital 5.1-channel audio track on the disc[2] (which can be downmixed to two channels for listeners with no surround sound setup). Some discs also include a native Dolby Digital 2.0 stereo, and even a DTS 96/24 5.1-channel, audio track.[3]

Because the DVD-Audio format is a member of the DVD family, a single disc can have multiple layers and even two sides that contain media. A common configuration includes a "DVD-Video" zone on a DVD-Audio formatted single sided disc. The high-resolution, multichannel audio losslessly encoded using MLP is only playable on DVD-Audio hardware but the DVD-Video zone, which can contain Dolby or DTS 5.1 mixes and even video makes the disc compatible with all DVD players. Other configurations include double layer DVDs (DVD-9) and two-sided discs (DVD-10, DVD-14 or DVD-18). Some labels are releasing DVD titles that are formatted as DVD-Audio on one side and DVD-Video on the other.

There are some software players that support the playback of DVD-Audio discs. For example: WinDVD and PowerDVD.

Preamplifier/Surround Processor interface

In order to play DVD-Audio, a preamplifier or surround controller with six analogue inputs was originally required.[4] Whereas DVD-Video audio formats such as Dolby Digital and DTS can be sent via the player's digital output to a receiver for conversion to analogue form and distribution to speakers, DVD-Audio cannot be delivered via unencrypted digital audio link at sample rates higher than 48 kHz (i.e., ordinary DVD-Video quality) due to concerns about digital copying.<ref name="timefordvd-tutorial" />

However encrypted digital formats have now been approved by the DVD Forum, the first of which was Meridian Audio's MHR (Meridian High Resolution). The High Definition Multimedia Interface (HDMI 1.1) also allows encrypted digital audio to be carried up to DVD-Audio specification (6 × 24-bit/96 kHz channels or 2 × 24-bit/192 kHz channels). The six channels of audio information can thus be sent to the amplifier by several different methods:
  1. The 6 audio channels can be decrypted and extracted in the player and sent to the amplifier along 6 standard analogue cables.
  2. The 6 audio channels can be decrypted and then re-encrypted into an HDMI or IEEE-1394 (Firewire) signal and sent to the amplifier, which will then decrypt the digital signal and then extract the 6 channels of Audio. HDMI and IEEE-1394 encryption are different from the DVD-A encryption and were designed as a general standard for a high quality digital interface. The amplifier has to be equipped with a valid decryption key or it won't play the disk.
  3. The third option is via the S/PDIF (or TOSLINK) digital interface. However, because of concerns over unauthorised copying, DVD-A players are required to handle this digital interface in one of the following ways:
  4. *Turn such an interface off completely. This option is preferred by the music publishers.
  5. *Downconvert the audio to a 2-channel 16-bit/48 kHz PCM signal. The music publishers are not enthusiastic about this because it permits the production of a CD-quality copy, something they still expect to sell, besides DVD-A.
  6. *Downconvert the audio to 2 channels, but keeping the original sample size and bit rate if the producer sets a flag on the DVD-A disc telling the player to do so.
  7. A final option is to modify the player, capturing the high resolution digital signals before they are fed to internal D/A converters and convert it to S/PDIF, giving full range digital (but only stereo) sound. There exist already do-it-yourself solutions for some players. There also exists an option to equip a DVD-A player with multiple S/PDIF outputs, for full resolution multichannel digital output. See: Six channel S/P-DIF output board.

Sound quality

From a purely technical standpoint, the audio resolution of a DVD-Audio disc can be substantially higher than a standard red book CD audio. DVD-Audio supports bit depths up to 24-bit and sample rates up to 192 kHz, while CD audio is 16-bit, 44.1 kHz. In both cases, the source recording may have been made at a much higher bit and sample rate, and down-converted for commercial release.

It is uncertain whether average listeners can hear the difference between DVD-Audio and CD-Audio, and many consumers do not regard any supposed quality improvements offered as sufficient reason to justify purchasing new playback equipment and repurchasing albums in higher-resolution formats. Many DVD-Audio releases are older, standard definition audio recordings that have been remixed in 5.1 and upsampled to DVD-Audio's higher resolution. However, the fidelity of the upsampled audio will be limited by the source material quality and may not exceed the quality of existing CD releases of the same albums. When new recordings are made using high-resolution PCM encoding, a substantial difference in fidelity can be achieved.

Three of the major music labels, Universal Music, EMI and Warner Bros. Records and several smaller audiophile labels (such as AIX Records and DTS Entertainment) have released or are continuing to release albums on DVD-Audio, but the number is minimal compared to standard CDs. New high-definition titles have been released in standard DVD-Video format (which can contain 2-channel Linear PCM audio data ranging from 48 kHz/16-bit to 96 kHz/24-bit), "HDAD", which includes a DVD-Video format recording on one side and DVD-Audio on the other, CD/DVD packages, which can include the album on both CD and DVD-Audio, or DualDisc, which can contain DVD-Audio content on the DVD side. In addition, some titles that were initially released as a standalone DVD-Audio disc, such as The Grateful Dead's American Beauty and R.E.M.'s Automatic for the People, were re-released as a CD/DVD package or as a DualDisc.

Copy protection

DVD-Audio discs may optionally employ a copy protection mechanism called Content Protection for Prerecorded Media (CPPM).[5] CPPM, managed by the 4C Entity, prevents users from extracting audio to computers and portable media players.

Because DVD-Video's content-scrambling system (CSS) was quickly broken, DVD-Audio's developers sought a better method of blocking unauthorized duplications. They developed CPPM, which uses a media key block (MKB) to authenticate DVD-Audio players. In order to decrypt the audio, players must obtain a media key from the MKB, which also is encrypted. The player must use its own unique key to decrypt the MKB. If a DVD-Audio player's decryption key is compromised, that key can be rendered useless for decrypting future DVD-Audio discs. DVD-Audio discs can also utilize digital watermarking technology developed by the Verance Corporation, typically embedded into the audio once every thirty seconds. If a DVD-Audio player encounters a watermark on a disc without a valid MKB, it will halt playback.[6]

The 4C Entity also developed a similar specification, Content Protection for Recordable Media (CPRM), which is used on Secure Digital cards.

DVD-Audio's copy protection was overcome in 2005[6] by tools which allow data to be decrypted or converted to 6 channel .WAV files without going through lossy digital-to-analogue conversion. Previously that conversion had required expensive equipment to retain all 6 channels of audio rather than having it downmixed to stereo. In the digital method, the decryption is done by a commercial software player which has been patched to allow access to the unprotected audio. As the DVD-A format has not gained wide commercial interest or acceptance, decryption tools are still very primitive.

Such tools may be illegal in the United States under the Digital Millennium Copyright Act. While the Recording Industry Association of America has been successful in keeping these tools off websites, they are still distributed on the P2P file sharing networks and are sometimes posted to newsgroups.[7]

DVD-Audio authoring software

Normal DVD(Video) authoring software usually does not support DVD-Audio creation, so there is some special software:

Macintosh

  • Sonic DVD Creator AV – The first DVD Audio authoring solution available. A spin off of the popular high end DVD Video authoring package. It allows DVD Audio authoring at the command line level only. Still widely used but no longer sold or supported by Sonic.
  • Sonic Sonic Studio HD – Macintosh based tool used for High Density Audio mastering and to prepare audio for DVD-A authoring.
  • Sonic Studio nexStage
  • Sonic OneClick DVD – Converts prepared Sonic Studio EDLs into binary MLP files to be used in the authoring tool. Also generates scriptFile information to be added to DVD Creator AV projects.

Windows

  • Sonic DVD-Audio Creator
  • Cirlinca DVD-AUDIO Solo
  • Minnetonka audio DiscWelder Bronze, Steel and Chrome II (with SurCode MLP)
  • Steinberg WaveLab
  • DigiOn Audio 2
  • Gear Pro Mastering Edition
  • DVD audio Tools package (see below).

Linux

  • A project called DVD audio Tools provides free/open source DVD-Audio authoring tools for Linux.
    Windows (console application) binaries are also available. DVD-Audio/Video discs (aka Hybrid or Universal DVDs) are also supported.

See also

References

1. ^ Understanding DVD-Audio (PDF). Sonic Solutions. Retrieved on 2007-07-12.
2. ^ SACD & DVD-Audio: Ultra-High-Resolution Music. Crutchfield Advisor. Retrieved on 2007-07-12.
3. ^ What is DVD-Audio?. 5dot1.com. Retrieved on 2007-07-12.
4. ^ DVD-Audio Tutorial. TimeForDVD.com (June 5, 2002). Retrieved on 2007-07-12.
5. ^ Labriola, Don (August 25, 2003). Digital Content Protection, Part II. ExtremeTech. Retrieved on 2007-07-12.
6. ^ Robinson, Stuart M (June 7, 2005). DVD-Audio Copy Protection Defeated via WinDVD Software Hack. HighFidelityReview.com. Retrieved on 2007-07-12.
7. ^ DVD-Audio's CPPM Circumvented. Slashdot.org (July 6, 2005). Retrieved on 2007-07-12.

External links

 •  • [ e]
Audio format
Analog
Phonograph cylinder (1877) • Gramophone record (1895) • Wire recording (1898) • Reel-to-reel tape (1940s) • SoundScriber (1945) • Gray Audograph (1945) • Dictabelt (1947) • Microgroove record (1948) • RCA tape cartridge (1958) • Fidelipac (1959) • Stereo-Pak (1962) • Compact Cassette (1963) and cassette single (1982) • Stereo 8 (1964) • PlayTape (1966) • Mini Cassette (1967) • Microcassette (1969) • Steno-Cassette (1971) • Elcaset (1976) • Picocassette (1985)
Digital
Soundstream (1976) • 3M (1979) • X80/ProDigi (1980) • DASH (1982) • Compact Disc (1982) • Digital Audio Tape (1987) • ADAT (1991) • MiniDisc (1991) • Digital Compact Cassette (1992) • Extended Resolution Compact Disc (1995) • High Definition Compatible Digital (1995) • 5.1 Music Disc (1997) • Super Audio CD (1999) • DVD-Audio (2000)
The Flaming Lips (formed in Oklahoma City, Oklahoma in 1983) is an American alternative rock band.

The band is known for their lush, multi-layered, psychedelic arrangements, spacey lyrics and bizarre song and album titles (for example, "Pilot Can at the Queer of God", "Free
..... Click the link for more information.
Yoshimi Battles the Pink Robots
(2002) At War with the Mystics
(2006)

Yoshimi Battles the Pink Robots is the tenth album by The Flaming Lips, released on July 16, 2002 and characterized by electronic keyboard-driven, psychedelic-tinged
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optical disc is a flat, circular, usually polycarbonate disc where data is stored in the form of pits (or bumps) within a flat surface, usually along a single spiral groove that covers the entire recorded surface of the disc.
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Encoding is the process of transforming information from one format into another. The opposite operation is called decoding.

There are a number of more specific meanings that apply in certain contexts:

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Meridian Lossless Packing, also known as Packed PCM (PPCM), is a proprietary lossless compression technique for compressing PCM audio data developed by Meridian Audio, Ltd.
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Linear pulse code modulation (LPCM) is a method of encoding audio information digitally. The term also refers collectively to formats using this method of encoding. The term PCM, though strictly more general, is often used to describe data encoded as LPCM.
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optical disc authoring, including DVD authoring, known often as burning, is the process of recording source material—video, audio or other data—onto an optical disc (compact disc or DVD).
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optical disc is a flat, circular, usually polycarbonate disc where data is stored in the form of pits (or bumps) within a flat surface, usually along a single spiral groove that covers the entire recorded surface of the disc.
..... Click the link for more information.
disk image is a computer file containing the complete contents and structure of a data storage medium or device, such as a Hard drive, CD or DVD. The term has been generalized to cover any such file, whether originated from an actual physical storage device or not.
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optical disk drive (ODD) is a disk drive that uses electromagnetic waves as part of the process of reading and writing data. It is a computer's peripheral device, that stores data on optical discs.
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Optical disc authoring software is computer software for authoring optical discs including CD-ROMs and DVDs. They are also known by synonyms such as CD burning application or DVD authoring software. Such software is required to use an optical disc recorder.
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Disc At Once, Track At Once, Session at Once (i.e. multiple burning sessions for one disc), or packet writing modes. Each mode serves different purposes:
  • Disc At Once: writes the entire disc in one pass; preferred for duplication masters

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Disc-At-Once, Track-At-Once, and Session-At-Once.

CD Disc-At-Once

Disc-At-Once or DAO for CD-R media is a mode that masters the disc contents in one pass, rather than a track at a time as in Track At Once.
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Packet writing is an optical disc recording technology used to allow writeable CD and DVD media to be used in a similar manner to a floppy disk. Packet writing allows the user to access the contents of a CD-R or CD-RW disc directly through a mounted filesystem (Unix, Linux, Mac OS
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Laserdisc

Laserdisc (left) compared to a DVD (right).
Media type: Optical disc
Encoding: Various
Developed by: MCA
Usage: Video storage

Optical disc authoring
  • Optical disc
  • Optical disc image
  • Recorder hardware
  • Authoring software

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Compact Disc

The closely spaced tracks on the readable surface of a Compact Disc cause light to diffract into a full visible colour spectrum
Media type: Optical disc
Encoding: Various
Capacity: Typically up to 700 MB
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CD-ROM (an abbreviation of "Compact Disc read-only media") is a Compact Disc that contains data accessible by a computer. While the Compact Disc format was originally designed for music storage and playback, the format was later adapted to hold any form of binary data.
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CD-R (Compact Disc-Recordable) is a variation of the Compact Disc invented by Philips and Sony. CD-R is a Write Once, Read Many optical medium (though the whole disk does not have to be entirely written in the same session) and retains a high level of
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Compact Disc ReWritable (CD-RW) is a rewritable optical disc format. Known as CD-Erasable (CD-E) during its development, CD-RW was introduced in 1997, and was preceded by the never officially released CD-MO in 1988.
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MiniDisc

The Sony MZ1 MiniDisc player, the first to hit the market in 1992.
Media type: Magneto-optical disc
Encoding: ATRAC, linear PCM (with Hi-MD)
Capacity: 80 min (standard MiniDisc), up to 45 hours of audio (1 GB capacity) (with Hi-MD)
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DVD

Media type: Optical disc
Capacity: 4.7 GB (single layer), 8.5 GB (dual layer)
Usage: Data storage, audio, video, games

Optical disc authoring
  • Optical disc
  • Optical disc image
  • Recorder hardware
  • Authoring software

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DVD-R is a DVD recordable format. A DVD-R has a larger storage capacity than its optical predecessor, the 700 MB CD-R, typically storing 4.71 GB (or 4.382 GiB), although the capacity of the original standard developed by Pioneer was 3.95 GB (3.68 GiB).
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DVD-D is a self-destructing disposable DVD format. Like the EZ-D, it is sold in a cardboard sleeve, and begins to destroy itself after several hours.

DVD-D now exists as one time play only for movies, limited time play for video games, and recordable DVD-D.
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DVD-R DL (DL stands for Dual Layer), also called DVD-R9, is a derivative of the DVD-R format standard. DVD-R DL discs employ two recordable dye layers, each capable of storing nearly the 4.7 GB (4.
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DVD+R is a once-writable optical disc with 4.7 GB (4.377 GiB) of storage capacity (more precisely, 2295104 sectors of 2048 bytes each). It has slightly less storage capacity than the DVD-R (4.382 GiB).
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DVD+R DL (DL stands for Dual Layer, commonly mistaken as Double Layer), also called DVD+R9, is a derivative of the DVD+R format created by the DVD+RW Alliance. Its use was first demonstrated in October 2003.
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DVD-RW disc ("DVD dash RW", sometimes nicknamed "DVD minus RW") is a rewritable optical disc with equal storage capacity to a DVD-R, typically 4.7 GB. The format was developed by Pioneer in November 1999 and has been approved by the DVD Forum.
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DVD+RW is the name of a standard for optical discs: one of several types of DVD, which hold up to about 4.7GB per disc (interpreted as approximately 4.7 × 109 bytes; actually 2295104 sectors of 2048 bytes each) and are used for storing films, music or other data.
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DVD-RW DL is a rewritable optical disc standard with storage capacity of 8.5 GB. DVD-RW DL discs employ two rewritable dye layers. It's approved by DVD Forum as "DVD Specifications for Re-recordable Disc for Dual Layer (DVD-RW for DL) Physical Specifications, Version 2.0".
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DVD+RW DL is a rewritable optical disc with storage capacity of 8.5 GB. DVD+RW DL discs employ two rewritable dye layers.

In March 2006, the DVD+RW Alliance approved DVD+RW part 2: Dual Layer, volume 1; DVD+RW 8.5 Gbytes, Basic Format Specifications, version 1.
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