Information about Billy J. Kramer
Billy J. Kramer (born William Howard Ashton, 19 August 1943, in Bootle, Liverpool, England) was a British Invasion / Merseybeat singer. He is known today primarily as the singer of various Lennon-McCartney compositions that The Beatles did not use.
Even then, The Dakotas would not join Kramer without a recording deal of their own. Once in place, the deal was set and both acts signed to Parlophone under George Martin. Collectively, they were named Billy J. Kramer with The Dakotas to keep their own identities within the act. Once the Beatles broke through, the way was paved for a tide of "Merseybeat" and Kramer was offered the chance to cover a song first released by the Beatles on their own debut album, Please Please Me. The track had been allegedly turned down by Shane Fenton (later Alvin Stardust) who was looking for a career reviving hit.
Billy was given a series of songs specially written for him by John Lennon and Paul McCartney which launched him into stardom and a proper place in the history of Rock and Roll. I'll Keep You Satisfied, From A Window, I Call Your Name and Bad to Me all became international million sellers for Billy, and won him appearances on the TV shows Shindig!, Hullabaloo and The Ed Sullivan Show.
The Dakotas , meanwhile, enjoyed Top 20 success in 1963 on their own with Mike Maxfield's composition "The Cruel Sea", an instrumental retitled "The Cruel Surf" in the U.S., which was subsequently covered by The Ventures. This was followed by a George Martin creation, "Magic Carpet", evoking a dreamy atmosphere with a subtle echo laden piano, playing the melody alongside Maxfield's guitar. But it missed out altogether and it was a year before their next release. All four tracks appeared on a highly-collectable EP later that year.
The three big hits penned by Lennon and McCartney meant that Kramer was always seemingly in the Beatles' shadow, unless he did tried something different. Despite being advised against it, he insisted on recording the Stateside chart hit "Little Children" - the lyrics were allegedly about getting his girlfriend's brothers and sisters out of the way so they could make love. It became his second chart topper and biggest hit. It was Kramer's only major hit outside of the UK. In the U.S., this was followed up with "Bad to Me" which reached number nine. Despite this success Kramer went backwards with his second and last UK single of 1964; another Lennon/McCartney cast-off "From A Window", which only just became a Top Ten hit. It was great
The Dakotas ranks were then strengthened by the inclusion of Mick Green, the ex-guitarist with the London band the Pirates who backed Johnny Kidd. This line-up cut a few tracks which were at odds with the balladeer's usual fare. These included a take on "When You Walk in the Room" and "Sneakin' Around". The Dakotas final outing whilst with Kramer was the blues driven "Oyeh!" - but this also flopped.
The Dakotas re-formed in the late 1980s and recruited vocalist Eddie Mooney and session musician Toni Baker. They still tour and record. Other latter-day members are drummer Pete Hilton and guitarist Alan Clare.
In 2005, Kramer recorded the song "Cow Planet" for Sandra Boynton's children's album, Dog Train. A long-time fan of Kramer's, Boynton had sought him out for her project: in 1964, at age 11, she had bought Little Children as the first album she ever owned. |240px|Bootle (
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The British Invasion was the term applied by media - and subsequently by consumers - to the influx of rock and roll, beat and pop performers from the United Kingdom who became popular in the United States, Australia & Canada.
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Early career
The performing name Kramer was chosen at random from a telephone directory. It was John Lennon's suggestion that the "J" be added to the name to further distinguish him by adding a 'tougher edge'. Billy soon came to the attention of Brian Epstein, ever on the look-out for new talent to add to his expanding roster of local artists. Kramer turned professional but his then backing band, The Coasters, were less keen, so Epstein sought out the services of a Manchester based band, The Dakotas, a well-respected combo then backing Pete MacLaine.Even then, The Dakotas would not join Kramer without a recording deal of their own. Once in place, the deal was set and both acts signed to Parlophone under George Martin. Collectively, they were named Billy J. Kramer with The Dakotas to keep their own identities within the act. Once the Beatles broke through, the way was paved for a tide of "Merseybeat" and Kramer was offered the chance to cover a song first released by the Beatles on their own debut album, Please Please Me. The track had been allegedly turned down by Shane Fenton (later Alvin Stardust) who was looking for a career reviving hit.
Success
With record producer George Martin, the song "Do You Want to Know a Secret?" was a number two UK Singles Chart hit in 1963, and was backed by another tune otherwise unreleased by The Beatles, "I'll Be on My Way". After this impressive breakthrough another Lennon/McCartney pairing "Bad to Me" c/w "I Call Your Name" reached number one. "I'll Keep You Satisfied" ended the year with a respectable number four placing.Billy was given a series of songs specially written for him by John Lennon and Paul McCartney which launched him into stardom and a proper place in the history of Rock and Roll. I'll Keep You Satisfied, From A Window, I Call Your Name and Bad to Me all became international million sellers for Billy, and won him appearances on the TV shows Shindig!, Hullabaloo and The Ed Sullivan Show.
The Dakotas , meanwhile, enjoyed Top 20 success in 1963 on their own with Mike Maxfield's composition "The Cruel Sea", an instrumental retitled "The Cruel Surf" in the U.S., which was subsequently covered by The Ventures. This was followed by a George Martin creation, "Magic Carpet", evoking a dreamy atmosphere with a subtle echo laden piano, playing the melody alongside Maxfield's guitar. But it missed out altogether and it was a year before their next release. All four tracks appeared on a highly-collectable EP later that year.
The three big hits penned by Lennon and McCartney meant that Kramer was always seemingly in the Beatles' shadow, unless he did tried something different. Despite being advised against it, he insisted on recording the Stateside chart hit "Little Children" - the lyrics were allegedly about getting his girlfriend's brothers and sisters out of the way so they could make love. It became his second chart topper and biggest hit. It was Kramer's only major hit outside of the UK. In the U.S., this was followed up with "Bad to Me" which reached number nine. Despite this success Kramer went backwards with his second and last UK single of 1964; another Lennon/McCartney cast-off "From A Window", which only just became a Top Ten hit. It was great
After the peak
The year 1965 saw the end for the Merseybeat boom, and the next Kramer single was "It's Gotta Last Forever", which harked back to a ballad approach. In a year where mod-related music from the likes of The Who prevailed, the single missed completely. Kramer's cover of "Trains and Boats and Planes" saw off Anita Harris' cover version only to find itself in direct competition with its composer, Burt Bacharach's effort, which won the day. Kramer's effort still reached a respectable number 12, but was the group's swansong, as all future cuts missed the chart.The Dakotas ranks were then strengthened by the inclusion of Mick Green, the ex-guitarist with the London band the Pirates who backed Johnny Kidd. This line-up cut a few tracks which were at odds with the balladeer's usual fare. These included a take on "When You Walk in the Room" and "Sneakin' Around". The Dakotas final outing whilst with Kramer was the blues driven "Oyeh!" - but this also flopped.
The final showing
After releasing "We're Doing Fine", it too missed the charts leaving singer and group to part company. Kramer had a brief solo career which took him eventually to live in America.The Dakotas re-formed in the late 1980s and recruited vocalist Eddie Mooney and session musician Toni Baker. They still tour and record. Other latter-day members are drummer Pete Hilton and guitarist Alan Clare.
In 2005, Kramer recorded the song "Cow Planet" for Sandra Boynton's children's album, Dog Train. A long-time fan of Kramer's, Boynton had sought him out for her project: in 1964, at age 11, she had bought Little Children as the first album she ever owned.
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Bootle
Bootle ()
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City of Liverpool
Liverpool skyline, as seen from across the River Mersey
Coat of Arms
Location within England
Coordinates:
Sovereign state United Kingdom
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Liverpool skyline, as seen from across the River Mersey
Coat of Arms
Location within England
Coordinates:
Sovereign state United Kingdom
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Motto
Dieu et mon droit (French)
"God and my right"
Anthem
No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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Dieu et mon droit (French)
"God and my right"
Anthem
No official anthem specific to England — the anthem of the United Kingdom is "God Save the Queen".
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worldwide view.
The British Invasion was the term applied by media - and subsequently by consumers - to the influx of rock and roll, beat and pop performers from the United Kingdom who became popular in the United States, Australia & Canada.
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Mersey Sound or Merseybeat or may refer to
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- Merseybeat (TV series), a television series
- Mersey Beat (magazine), a music magazine
- Beat music, a musical genre also known as the Mersey Sound or Merseybeat
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A singer is a musician who uses their voice to produce music. Often the singer is accompanied by musicians and instruments. While many people sing for pleasure, vocal skill is usually a combination of innate talent and professional training.
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The Beatles were an English musical group from Liverpool whose members were John Lennon, Paul McCartney, George Harrison, and Ringo Starr. They are one of the most commercially successful and critically acclaimed bands in the history of popular music.
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telephone directory (also called a telephone book and phone book) is a listing of telephone subscribers in a geographical area or subscribers to services provided by the organization that publishes the directory.
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Brian Samuel Epstein (IPA: /ˈbraɪən ˈepstaɪn/) (born in Liverpool, England; 19 September 1934 – 27 August 1967) was the manager of The Beatles.
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Talent may refer to:
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- Talent, a personal gift/skill
- A show-business personality or group of them
- Talent agent, a person who finds jobs for actors, musicians, models, and other people in various entertainment businesses
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A musical ensemble is a group of two or more musicians who perform instrumental or vocal music. In each musical style or genre, different norms have developed for the sizes and composition of different ensembles, and for the repertoire of songs or musical works that these ensembles
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City of Manchester
Manchester City Centre
Coat of Arms of the City Council
Nickname: "Capital of the North", "Cottonopolis", "Madchester", "Second city"
Motto: "Concilio Et Labore"
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Manchester City Centre
Coat of Arms of the City Council
Nickname: "Capital of the North", "Cottonopolis", "Madchester", "Second city"
Motto: "Concilio Et Labore"
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For other uses, see The Dakotas (disambiguation).
The Dakotas is a group of British invasion musicians, which initially convened as a backing band in Manchester, England. However, they are most closely associated with the singer Billy J...... Click the link for more information.
For other uses, see The Dakotas (disambiguation).
The Dakotas is a group of British invasion musicians, which initially convened as a backing band in Manchester, England. However, they are most closely associated with the singer Billy J...... Click the link for more information.
Parlophone is a record label, founded in Germany in 1896 by the Carl Lindström Company. The ₤ trademark may resemble the British pound sign (£), but it is actually a German L, for Lindström.
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Sir George Henry Martin CBE (born 3 January 1926 in Highbury, London, England) is sometimes referred to as "the Fifth Beatle"—a title that he owes to his work as producer of almost all of The Beatles' records.
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In popular music, a cover version, or simply cover, is a new rendition (performance or recording) of a previously recorded song. In its current use, it can sometime have a pejorative meaning - implying that the original recording should be regarded as the definitive version,
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A song is a relatively short musical composition. Songs contain vocal parts that are performed with the human voice and generally feature words (lyrics), commonly accompanied by other musical instruments (exceptions would be a cappella and scat songs).
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album or record album is a collection of related audio or music tracks distributed to the public. The most common way is through commercial distribution, although smaller artists will often distribute directly to the public by selling their albums at live concerts or on
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album or record album is a collection of related audio or music tracks distributed to the public. The most common way is through commercial distribution, although smaller artists will often distribute directly to the public by selling their albums at live concerts or on
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Please Please Me
(1963) With the Beatles
(1963)
Please Please Me is the first album recorded by The Beatles, rush-released on 22 March 1963 in the United Kingdom to capitalise on the success of singles "Please Please Me" (#1)[1]
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(1963) With the Beatles
(1963)
Please Please Me is the first album recorded by The Beatles, rush-released on 22 March 1963 in the United Kingdom to capitalise on the success of singles "Please Please Me" (#1)[1]
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Alvin Stardust (born Bernard William Jewry, 27 September 1942, Muswell Hill, North London) is an English pop singer and stage actor.
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Career
Moving to Mansfield, Nottinghamshire at a young age, he made his stage debut in pantomime at the age of four...... Click the link for more information.
Alvin Stardust (born Bernard William Jewry, 27 September 1942, Muswell Hill, North London) is an English pop singer and stage actor.
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Career
Moving to Mansfield, Nottinghamshire at a young age, he made his stage debut in pantomime at the age of four...... Click the link for more information.
In popular music, a chart-topper is an extremely popular recording, identified by its inclusion in a ranked list—a chart—of top selling or otherwise judged most popular releases. Chart-topper and related terms like No.
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In the music industry, a record producer (or music producer) has many roles, among them controlling the recording sessions, coaching and guiding the musicians, organizing and scheduling production budget and resources, and supervising the recording, mixing and mastering
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Released 22 March 1963 (mono)
26 April 1963 (stereo)
Recorded 11 February 1963
Genre Rock and roll
Length 1:56
Label Parlophone
Writer(s) McCartney/Lennon
Producer(s) George Martin
Music sample
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26 April 1963 (stereo)
Recorded 11 February 1963
Genre Rock and roll
Length 1:56
Label Parlophone
Writer(s) McCartney/Lennon
Producer(s) George Martin
Music sample
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UK Singles Chart is currently compiled by The Official UK Charts Company (OCC) on behalf of the British record industry. The chart week runs from Sunday to Saturday, with the chart being printed in Music Week magazine, and published online at Yahoo! Music UK (formerly Dotmusic)
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In popular music, a chart-topper is an extremely popular recording, identified by its inclusion in a ranked list—a chart—of top selling or otherwise judged most popular releases. Chart-topper and related terms like No.
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